Search results for "Critique littéraire"
showing 10 items of 12 documents
Bibliographie nodiériste en ligne : œuvres et paratextes critiques
2011
Bibliographie en ligne autour des œuvres de Charles Nodier progressivement mise en place sur le site des Cahiers d'études nodiéristes. Projet d'envergure évolutif et chronologiquement rétrospectif : sa première étape couvrant la période 2000 à nos jours est opérationnelle.URL : http://www.cahiers-nodieristes.fr/bibliographie.html
Blackwood's Magazine - "Nodier's Promenade"
2013
We have translated and annotated an extended review from "Blackwood's Edinburgh Magazine" reporting on the publication, in English translation, of "Promenade de Dieppe aux montagnes d'Écosse" by Charles Nodier ("Promenade from Dieppe to the Mountains of Scotland", Edinburg, Blackwood, London, Cadell, 1822). The reference of the original article is as follows: "Nodier's Promenade", Blackwood's Edinburgh Magazine", march 1822, vol. XI (January - June 1822).
La littérature pour la jeunesse : Médiologie des pratiques et des classements
2010
International audience
"Giuseppe Antonio Borgese et le sens de la littérature italienne"
2009
Si Borgese n’adhéra pas officiellement au fascisme, ses rapports avec le régime ne furent pas exempts de quelques compromissions avant la rupture de 1934 et le choix de l’exil politique. Borgese fut non seulement théoricien et critique mais également auteur et par conséquent objet à son tour d’une réception critique. Or il apparaît que la production borgesienne des années 1920 et du début des années 1930 n’est pas étrangère au climat culturel qui s’affirma sous le fascisme. Se Borgese non aderì ufficialmente al fascismo, i suoi rapporti col regime non furono esenti da qualche compromissione prima della rottura del 1934 e della scelta dell’esilio politico. Borgese non fu solo teorico e criti…
Deux modèles de critique psychanalytique italienne
2006
Analysis of the Freudian approaches to literature of Francesco Orlando and Elio Gioanola
« Le Rat et l'Huître » dans la version de Charles Nodier
2012
Compte rendu de l'ouvrage "Dérision et supercherie dans l'œuvre de Charles Nodier" (actes du colloque de Dole du 18 octobre 2008), sous la direction de Jacques Geoffroy (Dole, éd. de La Passerelle, 2009).
Starobinski et la critique stylistique
2011
International audience
Insultes croisées: Byron, Keats et leurs critiques
2005
This paper deals with two British poets, both insulted by reviewers. Byron and Keats share the unenviable privilege of having being severely attacked by Scottish reviewers, on different grounds perhaps, but with the same cutting spite. When does the critical reading of a poem become downright insult? This entails several questions: what exactly is being insulted here, in other words which feature of the writer is attacked by the reviewer, and why is that an attack, thus exceeding the moderate, rational assessment of a poem? Moreover, the very words used for the insult deserve to be examined. Is form insulting in itself? Finally, why be so cruel to mere poets? To add a little spice, Byron an…
Letteratura e letterarietà in Jacques Lacan
2017
Questa sezione monografica della rivista "La Psicoanalisi" intende esaminare il rapporto di Jacques Lacan con la letteratura e la critica letteraria. Gli studi qui raccolti si concentrano inoltre sulla "letterarietà", che caratterizza il pensiero di Lacan non soltanto come attenzione allo stile, bensì anche come rapporto con la lettera, elemento attorno a cui si ruota tutta la sua teorizzazione. This monographic section of the journal "La Psicoanalisi" intends to examine the relationship between Jacques Lacan, literature and literary criticism. The studies collected here also focus on "literacy", which characterizes Lacan's thought not only as attention to style, but also as a relationship …
Freedom and Necessity in The Winter’s Tale
2014
From the first expository scene, The Winter’s Tale exhibits a concern with necessity, either through the use of the word itself, its derivatives (necessities, necessary), and their synonyms (needful, required) or through the notion of what “must” happen, what “cannot but” happen. The recurrence of such terms conveys a sense that this is a world where no one is free, and every action is dictated by force of circumstance. This is reinforced by the widespread use of the traditional imagery of fate. Yet the characters of the play are reluctant to submit to necessity. Some even fantasize states of absolute freedom, including freedom from the laws of nature. The play itself, notwithstanding the o…